Love After Love

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other's welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

(Derek Walcott)

The night has a thousand eyes

The night has a thousand eyes,
And the day but one;
Yet the light of the bright world dies
With the dying of the sun.

The mind has a thousand eyes,
And the heart but one;
Yet the light of a whole life dies
When love is done.

(Francis William Bourdillon)

When I was one-and-twenty

When I was one-and-twenty
I heard a wise man say,
'Give crowns and pounds and guineas
But not your heart away;
Give pearls away and rubies
But keep your fancy free.'
But I was one-and-twenty,
No use to talk to me.

When I was one-and-twenty
I heard him say again,
'The heart out of the bosom
Was never given in vain;
'Tis paid with sighs a plenty
And sold for endless rue.'
And I am two-and-twenty,
And oh, 'tis true, 'tis true.

(A E Houseman)

This Be The Verse

They fuck you up, your mum and dad.
They may not mean to, but they do.
They fill you with the faults they had
And add some extra, just for you.

But they were fucked up in their turn
By fools in old-style hats and coats,
Who half the time were soppy-stern
And half at one another's throats.

Man hands on misery to man.
It deepens like a coastal shelf.
Get out as early as you can,
And don't have any kids yourself.

(Philip Larkin)

The Trees

The trees are coming into leaf
Like something almost being said;
The recent buds relax and spread,
Their greenness is a kind of grief.

Is it that they are born again
And we grow old? No, they die too,
Their yearly trick of looking new
Is written down in rings of grain.

Yet still the unresting castles thresh
In fullgrown thickness every May.
Last year is dead, they seem to say,
Begin afresh, afresh, afresh.

(Philip Larkin)

The daily things we do

The daily things we do
For money or for fun
Can disappear like dew
Or harden and live on.
Strange reciprocity:
The circumstance we cause
In time gives rise to us,
Becomes our memory.

(Philip Larkin)

Ode to the Tomato

The street
drowns in tomatoes:
noon,
summer,
light
breaks
in two
tomato
halves,
and the streets
run
with juice.
In December
the tomato
cuts loose,
invades
kitchens,
takes over lunches,
settles
at rest
on sideboards,
with the glasses,
butter dishes,
blue salt-cellars.
It has
its own radiance,
a goodly majesty.
Too bad we must
assassinate:
a knife
plunges
into its living pulp,
red
viscera,
a fresh,
deep,
inexhaustible
sun
floods the salads
of Chile,
beds cheerfully
with the blonde onion,
and to celebrate
oil
the filial essence
of the olive tree
lets itself fall
over its gaping hemispheres,
the pimiento
adds
its fragrance,
salt its magnetism--
we have the day's
wedding:
parsley
flaunts
its little flags,
potatoes
thump to a boil,
the roasts
beat
down the door
with their aromas:
it's time!
let's go!
and upon
the table,
belted by summer,
tomatoes,
stars of the earth,
stars multiplied
and fertile
show off
their convolutions,
canals
and plenitudes
and the abundance
boneless,
without husk,
or scale or thorn,
grant us
the festival
of ardent colour
and all-embracing freshness.

(Pablo Neruda)

Tonight I can write the saddest lines

Tonight I can write the saddest lines.

Write, for example,'The night is shattered
and the blue stars shiver in the distance.'

The night wind revolves in the sky and sings.

Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.

Through nights like this one I held her in my arms
I kissed her again and again under the endless sky.

She loved me sometimes, and I loved her too.
How could one not have loved her great still eyes.

Tonight I can write the saddest lines.
To think that I do not have her. To feel that I have lost her.

To hear the immense night, still more immense without her.
And the verse falls to the soul like dew to the pasture.

What does it matter that my love could not keep her.
The night is shattered and she is not with me.

This is all. In the distance someone is singing. In the distance.
My soul is not satisfied that it has lost her.

My sight searches for her as though to go to her.
My heart looks for her, and she is not with me.

The same night whitening the same trees.
We, of that time, are no longer the same.

I no longer love her, that's certain, but how I loved her.
My voice tried to find the wind to touch her hearing.

Another's. She will be another's. Like my kisses before.
Her voice. Her bright body. Her infinite eyes.

I no longer love her, that's certain, but maybe I love her.
Love is so short, forgetting is so long.

Because through nights like this one I held her in my arms
my soul is not satisfied that it has lost her.

Though this be the last pain that she makes me suffer
and these the last verses that I write for her.

(Pablo Neruda)

I Crave Your Mouth, Your Voice, Your Hair

Don't go far off, not even for a day, because --
because -- I don't know how to say it: a day is long
and I will be waiting for you, as in an empty station
when the trains are parked off somewhere else, asleep.

Don't leave me, even for an hour, because
then the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart.

Oh, may your silhouette never dissolve on the beach;
may your eyelids never flutter into the empty distance.
Don't leave me for a second, my dearest,

because in that moment you'll have gone so far
I'll wander mazily over all the earth, asking,
Will you come back? Will you leave me here, dying?

(Pablo Neruda)